Have a piece in need of a new pair of eyes? I am now offering editing services for MG, YA, and (select) Adult fiction. If you have a completed piece that needs some untangling or polishing before submission – let me help!
About Me: I’m a Young Adult author – my debut novel WHEN WE SET THE DARK ON FIRE will be published by Katherine Tegen Books/HarperCollins in Winter of 2019. I also have short stories appearing in the forthcoming ALL OUT anthology (Spring 2018) and TOIL + TROUBLE (Fall 2018) both from Harlequin Teen. I’m represented by Jim McCarthy at Dystel, Goderich and Bourret. As an author myself, I am very comfortable with the mechanics of a story, as well as what it takes to get that story in the kind of shape that will entice an agent or publisher. As an editor, I am very skilled in identifying issues with pacing, voice, plot, world building, and character development.
During my years as a part of the writing community, I have been fortunate to read and critique some truly incredible works. Some of them have been published! Some of them have publication dates set! Some of them (I have all the confidence in the world) will be published soon! Here are some really nice things some authors I have worked with have said about my work as an editor:
“I had the opportunity to work with Tehlor on my second book, and her insights were incredibly helpful. She was prompt and enthusiastic, and she provided thoughtful, supportive big-picture feedback and specific line notes. I can’t emphasize enough how spot-on her suggestions were. She truly understood what I was trying to say, and her notes were so entirely in the spirit of the book. I’m so excited to implement Tehlor’s feedback, and I can’t recommend her highly enough.” – Becky Albertalli (SIMON VS. THE HOMO SAPIENS AGENDA, Balzer + Bray/Harper Collins / THE UPSIDE OF UNREQUITED, B+B – April 2017)
“Tehlor is a dream to work with–smart, prompt, thorough, and unfailingly enthusiastic. She’s the sort of editor whose comments make you so jazzed about making your book better, you want to start working right away. Her insight was subtle and on pointe, and I found myself referring to her feedback over and over again both for inspiration and encouragement. She’s a champion, through and through, dedicated to helping books become their best selves.” – Mackenzie Lee (THIS MONSTROUS THING, Katherine Tegan/Harper Collins / THE GENTLEMAN’S GUIDE TO VICE AND VIRTUE, Katherine Tegan/Harper Collins – June 2017)
“Tehlor has a natural eye for character, which is the heart of any project. I had the opportunity to work with her on my second book and she not only provided excellent insight into my characters and their struggles, she expressed her thoughts with such passion and detail, that I knew I could trust her with my words. Exposing yourself to critique can be scary, but Tehlor handled my words with a firm hand, helping me dig deep into my characters thoughts and motivations while still encouraging me in the overall scope of the book. She’s honest and sensitive, the perfect cocktail for constructive critique.” – Ashley Herring Blake (SUFFER LOVE, HMH – May 2016 / HOW TO MAKE A WISH, HMH – 2017)
“Tehlor’s attention to detail and understanding of character development are second to none. After receiving her editorial notes on my 2018 release, I knew everything I write will go through her before it goes to my agent. My manuscripts are ALWAYS more cohesive after passing through her hands, and I couldn’t recommend her services more highly.” – Nic Stone (DEAR MARTIN, Crown Books for Young Readers/Random House – October 2017)
“Tehlor was an excellent beta reader. She was lightning fast and her insights added another dimension to my draft. Her enthusiasm got me excited to dive back in and get to work when I would normally be dragging my feet. I can’t recommend working with her enough!” -Whitney Gardener (YOU’RE WELCOME, UNIVERSE + CHAOTIC GOOD, Knopf ’17-’18)
“Tehlor has a beautiful natural rhythm as a poet which gives her the ability to find the music of the story, so to speak. Her insight and feedback have always made my work stronger and better paced. I intend to work with her on everything I write, and absolutely recommend others do the same. Your work will be better for it.” – Tristina Wright (27 HOURS, Entangled, Fall 2017)
My passion is helping people bring out the best in their stories. My true strength lies in working with early-stage manuscripts: helping to untangle plot threads and develop characters, helping solidify world-building, etc. But as a poet I am equally devoted to the rhythm and voice of a piece, and am happy to provide detailed line-edits, which will deal with word choice, sentence structure, and voice consistency.
When considering my services, give some thought to what kind of editing would best suit you and your manuscript. I offer three separate packages for writing in different stages of completion. All prices are based on your individual work, but I’ve included some ballpark per-word prices to give you an idea of what to expect. Prices are based on pieces between 35,000 and 100,000 words. For projects that fall outside that window, please send me an email with the details and we’ll work something out! I’m also happy to discuss payment arrangements if the costs listed here are prohibitive.
BETA CRITIQUE: (starting at $.005 per word)
The beta critique can be applied to books in later stages of completion that require less detailed, overall critique. This package includes a full read-through of your book and a 1-3 page editorial letter detailing general impressions.
A NOTE: I am no longer offering dedicated sensitivity reads. If you have a concern about your manuscript that’s relevant to my lived experience, feel free to mention it and I’ll keep it in mind during your beta critique. If you’re looking for a dedicated sensitivity reader, please visit Writing In The Margins for a comprehensive list.
DEVELOPMENTAL EDITING: (starting at $.0075 per word)
This package is a good fit for early stage manuscripts that need help becoming polished drafts. Special attention will be paid to plot/pacing, character development, world-building/research, setting, style/voice, etc. The package includes a full read-through of your manuscript and a detailed editorial letter (usually between 8-15 word document pages, double spaced) addressing each category as it relates to your story.
LINE EDITING (starting at $.015 per word)
Mainly focusing on word choice, sentence structure, character voice, rhythm, authenticity of dialogue, etc, this package is a good fit for manuscripts that have strong foundations, but are in need of attention from a stylistic standpoint. The package includes a full read-through of your manuscript with grammar, spelling, and punctuation corrected using Microsoft Word’s track changes feature. Additional line-notes will be inserted as comments in areas I feel could use improvement. Content based line comments generally include the suggested action, an explanation of the reason behind it, and an example of one way to accomplish the goal. I will return the manuscript with an email detailing any suggestions that apply to the larger story arc, but this package is mostly focused on line-by-line changes.
QUERY/PITCH CRITIQUE: $40
This package includes line-by-line notes on your query letter or pitch, with an email detailing overall comments. It also includes an optional re-read of the revised query with additional notes.
Deluxe Query Package: $75
This package is for authors ready to submit their novel to an agent or publisher. It includes a line-by-line critique of your query letter, synopsis (if applicable) and up to 10 sample pages, as well as an email detailing overall comments.
Have some questions about a work-in-progress? Need to follow up with additional inquiries after a manuscript critique? A consultation covers as many emails back and forth as it takes to answer your questions!
Have a project that doesn’t quite fit one of my packages? Just email me the details and I’ll be happy to quote you a price!
Please send all editing related correspondence to firstname.lastname@example.org
Please include a title, genre, and approximate word count, as well as a brief description of the content and the style of editing you think will be most helpful for you.
Thank you for considering me, and I’ll look forward to hearing from you!